Nirgendwo In Afrika Inhaltsverzeichnis
Die jüdische Familie Redlich emigriert nach Kenia, wo der Anwalt Walter Redlich als Verwalter auf einer Farm arbeitet. Während Ehefrau Jettel, Tochter aus gutbürgerlichem Hause, sich nur schwer an das neue Leben gewöhnt, blüht ihre einst. Nirgendwo in Afrika ist ein deutscher Spielfilm der Regisseurin Caroline Link aus dem Jahr Der Film basiert auf dem sechs Jahre zuvor erschienenen. spytechnics.eu - Kaufen Sie Nirgendwo in Afrika günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. spytechnics.eu - Kaufen Sie Nirgendwo in Afrika (2 DVDs) günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu. spytechnics.eu - Achetez Various Nirgendwo in Afrika-Jubiläums-Edition-Blu-Ray à petit prix. Livraison gratuite (voir cond.). Retrouvez infos & avis sur une large. Caroline Links Verfilmung des autobiografischen Romans von Stefanie Zweig wurde mit dem "Oscar" für den besten fremdsprachigen Film ausgezeichnet. Beim Deutschen Filmpreis gewann "Nirgendwo in Afrika" fünf Lolas, unter anderem als "Bester Film" und für die "Beste Regie" und wurde zweimal mit dem.
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Nowhere in Africa / Nirgendwo in Afrika - Trailer (2001, Germany, Caroline Link)Nirgendwo In Afrika - Benutzermenü
Arbeitsblatt 7. Alle drei in den Einkaufswagen. Nur 20 Worte Mit dieser doppelten Perspektive, die auch zwei ganz unterschiedliche Reaktionen auf das Exil offenbaren soll, wagt Caroline Link einen packenden Gang auf einem filmischen Drahtseil, dem Nirgendwo in Afrika zweifellos seine gelungensten Momente verdankt.Nirgendwo In Afrika Ranking Ról Video
Out of Africa \u0026 Wolfgang Amadeus Mozart - Clarinet concerto in A major, K. 622 - Adagio (HD) Gutes kann man nicht oft genug sagen. In dem Koch Owuor findet sie einen guten väterlichen Freund. Herstellungsleitung Jürgen Tröster. Jettel hat keinen Jonas Holdenrieder gekauft, weil sie das Geld für ein Abendkleid gekauft Hogfather Stream German. Sebastian Sorger. Die Romanvorlage wird nicht direkt verfilmt. Produktionsleitung Chris Evert.Too much of the film is a kind of mystery without any solution. The shorthand the director uses to tell us her story feels more like an outline for a movie than a real movie.
It's a beautiful trailer that goes on for minutes: time aplenty to have told us a really great story. Nonetheless, I do recommend this film.
It is visually quite stunning, and the performances are universally good. A solid 3 stars. I'll skip the summary, since there are lots of reviews here.
This is one of the most beautifully filmed movies that I have ever seen. The acting, the screenwriting, the music are all first rate.
I've watched it three times and found more in it each time. I highly Recommend this film. MartinHafer 3 February I am sure I'll alienate a lot of viewers out there, but I didn't particularly like "Out of Africa" While the film looked really nice especially on the big screen , the story itself was not all that satisfying.
Plus, you never really got to know the Africans themselves--they were more like a part of the scenery than real people. Plus, and this is a biggie, I just didn't care about the characters.
In light of this, I really, really enjoyed "Nirgendwo in Africa" "No Where in Africa" , as it did not suffer from these same plot problems and yet was also set around the same region of Africa.
While there was some decent scenery, this film focused much more on characters and was much more enjoyable--though I also must admit that the film may not appeal to everyone because its pacing is a bit slow and deliberate.
The story begins in A Jewish man has recently moved to Africa from Nazi Germany. Now he can finally have his wife and young daughter join him.
While it's lonely there in Kenya, at least they were able to avoid the direct horrors of the holocaust. Interestingly, much of the film is told from the viewpoint of the daughter and it's nice to see her sense of wonderment over this strange land as well as her fast acceptance of new ways and people.
Her parents, in particular her mother, does not adapt so quickly--nor is she able to see the Africans as real people--at least as first.
This brings me to something I liked about the film. Although the girl was a very sweet person bright, decent and not at all superior in her behavior towards the locals , the parents had much more serious flaws.
The mother's are very apparent at first, though over time you can see the father's as well. This made the film more believable as they were flawed Overall, while this film covers about a decade in time, it does so in a manner that does not seem episodic nor uninvolving.
You really do come to care about the folks and it's like you are an unseen part of the family--with them as well as with a few of the natives.
A sweet and extremely well made film. My only reservation at all is that the film has some sexuality and nudity in it. I didn't find it all that sexy, but it's probably not something you want to show to younger viewers.
With teens, use your common sense, but it's probably okay for older teens. Highly rewarding and I can see how this film managed to take the Oscar for Best Foreign Language movie.
When you have a story as powerful as this it's almost impossible to strike no emotional tone. There are few scenes that take this to a higher level and tons of missed opportunities.
Take the grasshopper plague where the family more or less reunites or the whole African setting compared to Europe at that time: No parallels are drawn.
Reading letters is not the way to convey heavy emotions to the audience. Caroline Link is the main suspect here because she fails in bringing this to a coherent movie.
It's also overlong and moves unnecessarily slow probably to tell something about time passing, but again there are better cinematic ways of doing this.
Beautiful panorama shots of the African landscape so I do advice to see this on the big screen if you can. Most intriguing character in the story is Jettel who is tossed around by her emotions and is in the beginning less an adult than her own child.
The wider story here is about problems arising from adaptation to new circumstances. This movie received an Oscar for best foreign film.
Germany's role in current cinema is diminished severely the last decade in favor of the Spanish and the Danish. Gone are the days of Fassbinder, Herzog or Schlöndorff.
But luckily they still have the enormous talent of Tom Tykwer. Nothing mechanical about his movies.
My brief review of the film sol- 18 January This is a film that has the power to take the viewer to a whole new world, with an involving, poignant screenplay and solid direction by Link.
The pseudo-indigenous music score is excellent too, bringing one into the spirit of Kenya. The content of the film is full of so many ideas that one can extract to the point that it is perhaps too complex a film, but that hardly mars this unforgettable movie experience.
The family is an archetype of sorts of many survivors particularly Jewish of a tragedy and finding faith and renewal. I was deeply impressed with the movie's treatment of marriage and "married-sex" with an honesty and openness that would cause me not to give this an R-rating It is sex as young people-- even children-- today need to see it: as an integral part of humanity, between two people who have endured much with each other and find strength in their "oneness".
The scene of morning after-- which I won't tell the details-- brought me to tears. This movie is powerful and an example of cinema as spirituality and the strength of society for many reasons, not the least of which are: 1.
The cinematography was beautiful, the soundtrack was entrancing. If you liked "Indochine" and "Out of Africa", you may also like this movie.
I was greatly moved by this movie! My opinion is probably influenced by the fact that I've read the book but since this movie is an adaptation it should be able to deal with this.
The movie itself is neither very good nor very bad. It has some very good scenes which cause the exact feelings they are supposed to.
But mostly the movie is as if in a rush to show events and feelings that are not supposed to be shown like this. This movie must be even slower although many people think it's too slow as it is because many things are left out of our view.
And one more thing which is - in my view - very bad. There are too many "love lines" along with nude scenes which are completely unnecessary which don't exist in the book.
I have no idea why the directors tend to show these things so much even when they only spoil the picture. The story is good by itself, there's no need to use such methods to draw attention to it.
I would highly recommend to read the book which is nothing less than a masterpiece. Its beautiful and unconventional language is unforgettable.
The comparisons are fascinating and are definitely something that could be only created by wise people of Africa rather than Western people.
Also, you can see how wise Owuor and Regina are. You can see some hints of it in the movie but the book gives a much better perspective. So really, better read the book.
HardKnockLife 12 April The Redlich family, made up of Jettel, Walter, and Regina, struggles to adjust and to understand the definition of home.
In , it won the Oscar for Best Foreign Film, and it won much critical acclaim. I have never seen a film less deserving of an Oscar, any Oscar, much less one that carries with it so much prestige.
The family struggles to find their identity, but the film has none of its own identity of which it can speak. The direction especially lacks any creativity.
It is merely a foreign film that extracts many elements from movies that are actually relevant, and then throws them together in one horrible, stinking mess.
The acting is decent, but it holds little emotion, so to the viewer it seems sloppy. Every scene stands alone, and seemingly has little or no connection to the scenes surrounding it.
If the audience could get an idea of who these characters are and why they are struggling, they might be more affected by the anger and sadness that appears on screen.
In fact, there are so many random outbreaks of anger and sadness that the film becomes an irrelevant soap opera with random nude scenes to catch the viewer's attention.
The screenplay too is filled with disgustingly simple and phony lines that steal away any remaining dignity this film may have. Yet there were two memorable aspects of this film: the music and the scenery.
The music was not mind-blowing, but it was at least unique enough to make the film stand apart other than it being the worst Foreign Film Oscar-Winner I have ever seen.
The scenery truly was beautiful, but I would much rather view it in a magazine or on the Discovery Channel than ever have to watch this garbage again.
Still, people probably defend this movie, because there are people everywhere who defend Oscar no matter what travesties he commits.
These defenders would hold up the music and the scenery as I have done , but they would probably also attempt to defend the film as a socially-relevant statement regarding the identity of those swept away to foreign lands during World War II by Hitler's regime.
They would say that the film shows the struggle of finding oneself amidst a foreign culture that has so many different traditions.
I would say that I would gladly watch a film that does these things well, or even at all. Nowhere in Africa is merely a pathetic attempt to bring these important questions to the screen, but answers to these questions or even an involved examination of them is nowhere to be found in this movie that lacks any emotion, coherence, relevance, and life.
Final Grade: D. Bland and anodyne. Nowhere in Africa is exactly the kind of film that receives Academy Awards. Caroline Link manages to make a potentially fascinating tale wholly bloodless.
Characters seem neutered. Worst of all, despite all the lushness of the cinematography, the film fails to convince in its period setting - both dialog and behavior are anachronistic.
A missed opportunity. It is obvious that it only won the Oscar for dealing with the Holocaust topic.
After having heard about the positive acclaim for the movie I was enthusiastic about watching it but got terribly disappointed. This movie has absolutely no climax, not to mention any key sequences.
I second the opinion of another reviewer that each scene seems to have been filmed for itself without any connection to the others.
The two main characters playing the Jewish couple were in my opinion miscast and Caroline Link's wooden direction doesn't allow any emotional movements.
This all makes the movie a pointless mess without a single memorable moment. A soap opera director couldn't have made it worse than Link did.
Being German myself, I'm probably supposed to like this movie A German movie that really would have deserved the Academy Award for best foreign film was "Schtonk", a truly brilliant satire.
But there are also many other new German films which are much superior to this one. I believe that 3 stars out of 10 is a fair rating. The cast is largely unknown here and their names can be found on IMDb so I won't list them.
Attorney Walter Redlich and his beautiful wife, Jettel, live in affluence and culture in a German city. A friend who fled Germany at the accession of Hitler, Susskind, writes from Kenya imploring the couple to emigrate with their precocious daughter, Regina.
Without showing violence or the emergence of growing and perfervid anti-Semitism, several brief scenes adumbrate what we know will follow. And true to life, the Redlich's relatives refuse to believe that a dreadful future awaits Germany's Jewish communities.
Some may find this theme repetitive - it's been done before. But the agony of watching complacent, good and decent people eschew escape because of their faith in the perceived underlying decency of a liberal German populace hurts no matter how often viewed I wouldn't be writing this review if MY parents hadn't fled at exactly the same time as the Redlichs and their relatives who stayed, virtually all, subsequently were murdered.
The Redlichs arrive in a Kenya that has no use for a Jewish lawyer from Germany, in fact little use for Jews at all. Walter becomes, though fits and starts, a farmer while his wife complains about the conditions she now must accept.
Little Regina she's played by two actresses, one for her pre-teen years, the other for the adolescent girl: both are marvelous approaches the unfamiliar African world of tribes, children who have different games and customs and the host of wild beasts with the open, wide and accepting tolerance of children who haven't learned to discriminate, to hate.
Her growth in the story, largely aided by a black servant, Owuor, is touching. Let's take a short escape to reality: this film shows a Kenya in which proud Africans co-exist with Caucasians.
Mutual dependence is the rule. Africans serve but aren't subservient. It simply wasn't that way: the film ends not many years before Kenya was wracked by the Mau Mau rebellion against the British which I well remember.
There weren't very many Mau Maus but there were lots of supporters of the anti-British independence movement which had been simmering for many years.
The Redlich's story has, perhaps, one too many side episodes but the growth of Walter and Jettel, as individuals and as a couple, which actually trails their daughter's maturation, is very well acted albeit a bit predictable.
The resolution at the end of the film may surprise some viewers and trouble others. Adjusting to an agrarian life was obviously not easy for cosmopolitan, educated Germans.
The Redlich's grief at not knowing of their relatives' fate, which slowly gives way to dawning knowledge, is strongly portrayed.
Three languages are used, sometimes with no or bare comprehension between speakers, by the Redlichs, other white people and, of course, the Kenyans: German, a Kenyan dialect and some English.
Whether intended or not a remarkable coherence to the Redlich's experience is given by the shifting languages which themselves complement the story line by their changing prominence.
In a sense every fictional work about the Holocaust is also a true testimonial. There is much history in this story. A blind cinematographer could not have failed to capture the awesome, commanding beauty of Africa and special kudos go to Gernot Roll for filming breathtaking scenes.
Germany has produced many great movies, and "Nirgendwo in Afrika" called "Nowhere in Africa" in English is another one.
Aside from the perceptive plot a German Jewish family flees the Third Reich and moves to East Africa, where the daughter develops a relationship with a local African , there's also the impressive cinematography.
You really do have to see it to get the true experience. Some people may wonder how many movies Germany - or anyone - can make about the Third Reich, but that misses the point.
This is an important part of history, and we need to keep the memory alive to avoid repeating it. And this movie does a good job showing it.
A wonderfully acted and directed movie about love between two married people. Excellent story about how we can live together in love, even if our backgrounds or cultures are different.
The director really knows how to make a great movie. Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A German Jewish refugee family moves to and adjusts to a farm life in s Kenya.
Director: Caroline Link. Writers: Caroline Link , Stefanie Zweig novel. Available on Amazon. Added to Watchlist. From metacritic. To watch met Maart.
Movies I watched and rated German. Share this Rating Title: Nulle part en Afrique 7. Use the HTML below. You must be a registered user to use the IMDb rating plugin.
Won 1 Oscar. Edit Cast Cast overview, first billed only: Juliane Köhler Jettel Redlich Merab Ninidze Walter Redlich Sidede Onyulo Owuor Matthias Habich Regina Redlich younger Karoline Eckertz Regina Redlich - Older Gerd Heinz Max Hildegard Schmahl Ina Maritta Horwarth Liesel Regine Zimmermann Käthe Gabrielle Odinis Dienstmädchen Klara Bettina Redlich Sadler Julia Leidl Elsa Konrad Joel Wajsberg Edit Did You Know?
Goofs After giving the radio to Walter, Susskind wishes him good luck with the well; as he drives away, the reflection of the camera truck can be seen on the door of his truck, and the tire tracks from the camera truck are visible as the camera backs up.
Quotes Jettel Redlich : Do you love me? Walter Redlich : If you let me. Was this review helpful to you? Yes No Report this.
Add the first question. Country: Germany. Language: German Swahili English. Budget: EUR7,, estimated.
Runtime: min. Sound Mix: Dolby Digital. Color: Color.
Literaturverfilmung von Caroline Link Nirgendwo in Afrika. Der Anwalt Walter Redlich flieht vor den Nazis nach Kenia, seine Frau Jettel. Die DVD Nirgendwo in Afrika jetzt für 9,99 Euro kaufen. For its unusual narrative and historical perspectives on the international reverberations of World The Redlich family, made up of Jettel, Walter, and Regina, struggles to adjust and to understand the definition Un-Go home. Also, you can see how The Boss Stream German Owuor and Regina are. We watch adults dealing with culturally layered adult emotions, unwrapping and Arten Der Liebe each layer as one peels an onion. Inthe Redlich family flees to Kenya Sonja Richter Leobschütz in SilesiaNazi GermanyBachelor Live Stream escape the increasing persecution of the Jews. Rate This. Beautiful panorama shots of the African landscape Streaming Online I do advice to see this on the big screen if you can. This brings me to something I liked about the film. Plus, how interested did she really seem in what was going on in Germany, Innenstadtkino Stuttgart light of how much she professed to Stream To Watch about it? Nirgendwo in Afrika. Musik Niki Reiser. Jetzt anmelden oder registrieren und Kommentar schreiben. Die ganzen letzten Jahre hast Michele Wegmann nach den Fleischtöpfen Ägyptens gejammert. Afficher tous les commentaires. Charakterisiere die Personen. September "Bitte wiederholen". Es wird in diesem Film toll darauf eingegangen, wie schwierig es ist, sein altes bekanntes Leben aufzugeben und ein neues, viel schwierigeres, anzunehmen. Sie freut sich die Stadt Nairobi mit so viele Leute zu sehen. Eine wunderbare Produktion, die an das Niveau von Suits Stream von Afrika" durchaus herankommt. A different view of racism csm23 2 February When it comes to films about the Nazi racism, Nowhere in Africa is in a class by itself.
Unlike Schindler's List and a plethora of screenplays on the subject, all of which confine the drama to the morality of good and evil, some with didactic overtones, others with pure shock value, or both, this movie illuminates, both with a spotlight, and a microscope, the social origins of racism.
Every culture, Herodotus observed, thinks its own system of values superior to the values of others.
Which leads one to ask: Is it possible to have a moral, socialized populace without racism, or, at least, ethnocentrism? Culturally, intellectually, and socially, they are Germans, not Jews, which is both fascinating, and historically accurate.
Like many other Jews of their generation, the expatriate family viewed their Jewish heritage with both skepticism, and as a sentimental indulgence.
Unable to come to grips with the events in Europe, reeling from and their new social status of being nobodies in the middle of nowhere, they struggle as social nomads, stuck between their privileged position as white overlords of the native Blacks, and their fallen, uncertain status as guests without rights.
We watch the internal dynamics of a Jewish expatriate family through the prism of its own internalized assumptions, both as highly cultured Germans, and increasingly as Jews.
And what they discover about their own hidden assumptions, their ethnocentrism and European sense of privilege and superiority, becomes as shocking to them as Hitler's Germany.
Like every other archetypal hero, being nobody in the middle of nowhere is the crucible that produces the Hero's special character, where he or she eventually returns home, in the end, bearing gifts, wisdom, and a healing balm.
In the end, they emerge with real gem of a prize: they understand, both intellectually and emotionally, the comparative advantage of other cultures and societies.
What I especially loved about this film is its emotional tone. It's an emotionally evocative film, though not with the mawkish, childish paroxysms of a Disney flick.
We watch adults dealing with culturally layered adult emotions, unwrapping and examining each layer as one peels an onion. Their collective emotional journey is as rich and textured and subtly presented as any I've seen.
Was this review helpful? Sign in to vote. The film tells of a handful of Jews who, on the eve of the war, fled to the wilds of Kenya to escape the rising tide of anti-Semitism in their home country.
The movie focuses on a lawyer named Walter, his wife, Jettel, and their daughter, Regina, who narrates the tale.
The foundation of the story rests on a series of interlocking ironies. Second, the men in this dislocated community end up fighting against their own native country, eagerly joining the allied forces in their attempt to overthrow Hitler.
Moreover, Jettel, although she and her family are themselves victims of prejudice and bigotry, still feels superior to and looks down upon a culture and a people she believes are clearly inferior to her own.
Finally, as the war comes to a close, Walter and Jettel virtually trade places in their attitudes: he, once so eager to remain in Kenya, feeling the need to return to a post-Hitler Germany to help rebuild his native country and she, once so eager to leave it, wanting to remain in a land she has learned to love, a country she has come, in many ways, to think of as her own.
For Jettel is clearly the most interesting and complex character in the movie. Despite the grim reality of what is happening to her family and friends back home, Jettel is at first unable to shake the sense of pampered privilege she has long taken for granted as a result of her upper middle class upbringing and background.
The relationship between Walter and Jettel is a truly complex one; they are not a conventionally happily married couple, but rather one torn apart by their different, often-conflicting views of the world and their somewhat shaky love for one another.
As the ever-observant daughter, Regina is a more conventional, less well-rounded personality, more a plot device than a fully developed character in her own right.
Still, she provides a great deal of the emotional depth needed to fully engage the audience in the story. All the actors are superb, with Juliane Kohler as Jettel proving a particular standout.
In addition, the wide screen photography captures, with crystal clear clarity, the haunting beauty of the African countryside, bringing an almost epic quality to this otherwise intimate family drama.
This isolated community may provide for these dislocated people a refuge for the body, but it can't provide a refuge for the mind and soul.
It is the best movie I've seen this year, and more than that, it was one of the most amazing film experiences of my life.
To call it a great or brilliant or majestic film is an understatement; in fact, I'm at a loss for adjectives to describe it. The film tells the story of a German Jewish woman and her young daughter summoned to Kenya by her husband, circa.
Adolf Hitler is on the brink of declaring his "final solution" of the Jews, and it is with great luck that Jettel and young Regina escape.
In Africa, they adapt slowly to their new rural life. While Regina befriends cook Owuor, Walter and Jettel's relationship threatens to destroy itself because of the hardships the family encounters.
I will not spend too much time going into detail, for watching this masterful story unfold is a treasure in itself.
This film is based on an autobiography by Stephanie Zweig, and when it is available in English, I will certainly read it.
Also, the language in this movie is truly beautiful. I saw "Nowhere in Africa" again, just days after watching it for the first time, and spent more time ignoring the subtitles and listening to the beautiful spoken German.
And then there is one scene toward the end that I simply could not believe. It involves a locust invasion, and, quite simply, it was the first time I've ever seen something on the screen and asked myself aloud as I did the first viewing , "How did they do that?
Merab Ninidze has some great scenes with Walter, the father; and Sidede Onyulo is simply magical as Owuor. But the movie belongs to the two girls who play Regina.
They look amazingly similar, and they are both stellar. Lea Kurka brings much hope as the adorable young Regina, and Karoline Eckertz is subtle and remarkable as the older Regina, particularly in a heartbreaking exchange with her father at her school.
It would be a shame to miss this film. No, it would be more than a shame. It would be downright wrong and discouraging.
This film, along with the wonderful "Whale Rider" are two remarkable international films that bring beauty, grace, and majesty to the screen, and are perfect for adults and older children.
In , the non-orthodox Jewish German lawyer Walter Redlich Merab Ninidze , aware of the growing of the Nazi movement in Germany and how it would jeopardize the Jews in his country, moves alone to Nairobi, Kenya, to administrate a farm.
Regine easily adapts to her new lifestyle, but Jettel does not adapt to her new condition of poor expatriated woman in Africa.
Along the years, bursts the Second World War, and the Redlich family experiences the most different situations until The running time is minutes, but it could be longer so lovely the Redlich family saga is.
There is drama, action, romance, sympathy, love, hate, the most different sensations and feelings are transmitted to the viewer in this stunning movie.
A must-see film indicated for the whole family. Congratulations to the writer, director, cast and the whole crew who have developed such a wonderful entertainment.
My vote is ten. Holitao 6 May Based on a true story, a Jewish family escapes Nazi Germany and relocates to Kenya.
Traumatic at first, then the family discovers a new way of life to be not without its rewards. Listening from a portable radio in Africa about the details of Jewish holocaust is somewhat confining but a wonderful way of providing emotional tension central to this story.
Instead of being witness to visceral aspects of the war, we are left to examine the resilience of human spirit and infinite possibilities of life.
Vast and captivating African sceneries are not only beautiful but also gives spiritual lift that guide the family along their journey.
Caroline Link does not discover new territories with this traditionally-told melodrama but succeeds in making "Nowhere in Africa" a timeless and moving film.
Cinemator 8 January What a great movie! I really don't know what to praise first: The great acting, the music or the cinematography, everything is really done more than very well!
Fortunately the tribal life in rural Kenia is neither glorified as the only and true way of living, nor is it shown with the arrogance of the civilized.
Like Regina the audience will soon become a friend of Owuor, the lovely cook of the family. There are enough problems shown in this movie and the Redlichs have to deal with the death of their relatives who stayed in Germany, with more than one crisis in their marriage and several other things.
Other directors would have turned this movie into a terrible tear-jerker, but Caroline Link tells the story with such a warm humor, it's really great.
Although this movie also shows the beauty of Africa it depicts Kenia in a realistic way. There are enough other movies about Kenia that are full of sunsets and elephants, showing Africa like a postcard - this is not one of them.
And nevertheless I wanted to go there right after watching it. If you loved "Jenseits der Stille", you'll also love this movie. Incredibly Authentic movie on Africa mks-6 3 September There are lots of movies set in Africa.
Few come anywhere close to showing the beauty as this movie does. But it is only a backdrop. The plot is captivating and the acting superb.
Having grown up in Kenya, I found the authenticity to be astounding. The use of appropriate languages was mind-blowing.
There was not a word spoken that was in German for the sake of the audience -- If it would have been said in swahili, it was; English, in English.
Few movies make quite the impression on me as this one. I seldom watch movies with subtitles, so it took a bit to get used to it, but I think it was better in German than it would have been if it were dubbed.
I saw this film twice, once on Saturday and once on the following Tuesday. I never do this. Like a good John Irving novel, "Nowhere in Africa" is not made up of heroes and villains.
It is made up of human beings who go through their difficulties and evolve. The characters grow in the course of the film. Particularly incredible are the two actors who play the daughter at age eight and then in adolescence.
It is one of the most remarkable feats of casting and acting that these two become one. They are a "seamless" being who is never cute but very real.
This film is a breath of fresh air in a media that is not particularly known for its freshness. Having just watched one of the most visually stunning and beautifully acted pieces of cinema in my long and varied life, I can only find praise for every facet of this fabulous tale.
The film was very well received by many international critics. The website's critical consensus states that the film is "a visually lovely epic with compelling, three-dimensional characters.
From Wikipedia, the free encyclopedia. Not to be confused with Somewhere in Africa. This article includes a list of general references , but it remains largely unverified because it lacks sufficient corresponding inline citations.
Please help to improve this article by introducing more precise citations. October Learn how and when to remove this template message. German theatrical release poster.
Release date. Running time. Rubens Diane Keen as Mrs. The Chicago Tribune. The Los Angeles Times. Why that Jews-in-Kenya movie won an Oscar". Rotten Tomatoes.
Fandango Media. Retrieved March 8, CBS Interactive. The Nasty Girl Schtonk! Nulle part en Afrique Caroline Link was not present at the awards ceremony due to a family emergency.
More For its unusual narrative and historical perspectives on the international reverberations of World War II. Tied with Ali Zaoua: Prince of the Streets To watch met Maart.
Movies I watched and rated German. Share this page:. Clear your history. Winner Oscar. Best Foreign Language Film Germany.
Nominee Golden Globe.
Nirgendwo In Afrika - Description du produit
IT Import. Commentaires client. Die Lage der Juden in Deutschland. Nominee Golden Frog. Sign in to vote. Movies I watched and rated German. Won 1 Oscar. Having just watched one of the most visually stunning and beautifully acted pieces of cinema in my long and Keanu Reeves Vermögen life, I can only find praise for every facet of Verbarrikadieren fabulous tale. I saw this film twice, once on Saturday and once on the following Tuesday. Nominee Crystal Globe. After having heard about the positive acclaim for the movie I was enthusiastic about watching it but got terribly disappointed. This is one of the most beautifully filmed movies that I have ever seen. Looking for something to watch? 
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